I’m sure it’s probably come to your attention that I’ve been neglecting much of my blogging duties this month. This is partly due to my laptop charger breaking and my laptop being out of action for the first two weeks but it’s also due to me partly being completely disillusioned with the current music scene recently and my new addiction to Buffy The Vampire Slayer. Yes, sadly I’m a sucker for the current vampire craze (no pun intended)! Anyway, a crop of music videos have premiered recently. Some only premiered today, others about a week ago. I’ve wasted enough time already so let’s get started.
Mc Fly: Party Girl
Thanks to OddOne for info on this video. Clearly, it’s not just me that’s being immersed in the vampire craze, McFly are wrapped up in the world of fangs and frighteners also. And as depicted in the image above are here to sell the sex too.
The music video is a fast, frantic piece with some really strong visuals but I’m on the fence about McFly’s contrived new direction. Not only does their new single successfully rip off Lady GaGa’s monster electro hit Bad Romance but the guys have also taken a leaf out of Usher and Trey Songz handbook by placing in some gratuitous sex scenes because – y’know – the supernatural and sex are totally in right now, innit?!
What happened to the superhero theme that was supposed to go along with this album? Instead we get a futuristic fantasy horror? Were the McFly guys vampires or werewolves? Plus its a little too similar to the video for Lies from the Radio:ACTIVE era.
Still this is a sharp and sexy comeback single with a sizable hook so I can’t see this NOT doing well. It just comes across a little contrived. This video is good but I don’t share OddOne’s sentiment of this song being the video of the year.
Saviour for the Third World, M.I.A. has FINALLY DELIVERED the music video for XXXO, the official lead single from her third album /\/\ /\ Y /\. The single was released on 12th July but only last week did the music video appear.
So lemme guess, it’s a hugely ambitious music video to rival the ginger genocide and graphic sex depicted in the clip for noisy promo single Born Free? You guessed wrong, I’m afraid. Directed by Hype Williams, the legend who brought us iconic clips for Mariah Carey’s I Want To Know What Love Isand Christina Aguilera’s Not Myself Tonight, the video sees a stunning M.I.A. poses in front of a Bollywood animated green screen with some Internet and prehistoric MySpace imagery thrown in to highlight the album’s futuristic, computer driven campaign.
It’s a decent enough music video even though M.I.A. looks a little dead behind the eyes (hey, it works for Britney!) and the concept is well executed with M.I.A. acting like a soulless popstar who is forced to release a commercial single by her record label. So true to life. But the long wait for the video has led to a huge disappointment. I wonder what caused the delay to go on so long. I wonder if it was M.I.A. herself who delayed the video so it would hinder the chart position of the song and fight the record label’s system?
Scissor Sisters: Any Which Way
After shocking us all with their serious single and music video for Fire With Fire, Scissor Sisters are back to their campy best in the video for Night Work‘s second single Any Which Way. The song which – to be blunt – is about getting fucked in as many positions and situtaions as possible is reminiscent of the Bee Gees and much like the Bee Gees, I can’t tell whether I love or hate this song. I certainly enjoyed their Glastonbury performance of the song which featured Kylie Minogue. It’s a pity they didn’t take the opportunity to release a remix featuring Ms. Minogue as the single. It would be snapped up by the gays like wildfire! I also much prefer Ana Matronic’s outrageous breakdown on this live. It sounds horribly restrained here.
The video is fun. Nothing extraordinary happens in it but we get to see the band fool around with numerous colourful effects and slow motion shots. Jake Shears has plenty of natural charisma to carry the video anyway.
Jay Sean featuring Nicki Minaj: 2012 (It Ain’t The End)
Jay Sean also premiered the music video for his corporate piece of garbage also known as the dance anthem 2012 (It Ain’t The End). I have no respect for Sean because not only is this formulaic, soulless shit but he also had to rope in Nicki Minaj and a video cameo from Birdman to further highlight his unoriginality. I quite like Nicki Minaj’s over-the-top, fast paced rapping until she threw out a “FREE WEEZY” shoutout as if the horse voiced rapper is some kind of martyr.
The video is your typical club video except it’s all original like – because you see people partying from London to Tokyo which has like never happened before in any music video ever! I will give it one point though because Jay looks like he’s having fun as opposed to his usual robotic self. Taio Cruz, take note! Oh and check out the video at 3.04 when Sean can’t contain himself anymore and jizzes all over the poor girl he’s trying to chat up.
Kris Allen featuring Pat Monahan: The Truth
Who? The winner of American Idol 8? Wasn’t that Adam Lambert? Yes in hindsight, it looks like Glambert was the real winner behind American Idolbut Kris Allen hasn’t done as badly as people may have expected – he mightn’t have had international success than his former competitor and his eponymous album mightn’t have sold much but his previous single, his own rendition of a Script B-side Live Like We’re Dying did peak at…uh…#18 in the US. Okay, I’m going to stop defending the Arkansas native’s flagging career but keep in mind that he has only released two proper singles while Lambert has released four. (Lambert also got to do the winners song after AI which I think totally undermined Allen).
Anyway, this new single The Truth featuring Pat Monahan of Train fame is a decent second single, a rousing and powerful pop rock ballad from the two able voiced singers. Of course, I said the B word and we all know how ballads do in the charts these days. Case in point: You Lost Me. That said, the track is a radio friendly number and could do well thanks to Allen loyalists and Train’s resurgence in popularity. Neither the song or video are original but there both redeemed by a rousing angsty production and dramatic visuals respectively. I just can’t tell the difference between Pat and Kris’ voice. :O
Alexandra Burke featuring Laza Morgan:Start Without You
After delaying this single so she (or her managment team) could stick another bloody rap feature on one of her singles, Alexandra Burke premiered the music video for her new RedOne produced single Start Without You.
WOW! Alexandra looks ABSOLUTELY FUCKING DELICIOUS IN THIS VIDEO! I’m in awe and I think I have someone new to obsess over. While the video is a rushed Recession Special, I couldn’t care less as long as I get to drool over Alexandra dancing around in her see through one-piece. But there’s something for everyone in this video as Alex also makes sure she sexually objectifies a bunch of muscular toned men but manages to pull it off because of her charming, sassy personality. I’m telling you she’s clearly taking a leaf out of her idol Beyoncé’s book with her questionable attitude towards men.
Now, this is where my praise ends. I appreciate the new dancehall direction Burke has gone in but this sounds like it belongs on the soundtrack to The Jungle Book. To add to the generic quality of Alex’s music, she has another bloody rap feature on the track in the form of Laza Morgan, an American rapper doing a Jafakian accent. This is the second single in a row in which the 23-year-old has reworked a song to feature a pointless rap and her third of her five single catalogue to feature a rap ‘artist’. Honestly, it’s all incredibly contrived and desperate looking. Alexandra should be allowed to stand on her own two feet because these rap features don’t improve the quality of the song but actually hinder it. And I don’t think the urban crowd will enjoy a few sparse lines from an unknown rapper either.
The last minute edition of Morgan to the song have reports suggesting that Alex had to re-film her music video to include him and so this clip we’re seeing is rushed out. Others have speculated that the original tropical video, which you can see a still of below, was scrapped because the single would now be released in September instead of August and others have stated that the original music video is being used to promote the video as Alexandra’s first US single. I think the last option is most likely considering most rap features are copied and pasted into the video and record labels rarely care about what season they release a song in. What do you think?